Throne of the Crescent Moon

Starred review from December 5, 2011
Ahmed’s debut masterfully paints a world both bright and terrible. Doctor Adoulla Makhslood is a professional destroyer of ghuls, clawed creatures whose hissing sounds like “a thousand serpents rasping with a man’s hatred.” He’s almost ready to retire when an unheard-of number of the monsters all but wipe out an entire clan of the Badawi people. Hunting the sorcerer who raised the ghuls, Adoulla and his religiously uptight swordsman apprentice, Raseed, are aided by the lone Badawi survivor, a girl named Zamia who can transform into a lion. They soon discover that the mysterious figure plans to cast an ancient sacrificial spell powerful enough to wreck the world. Unobtrusive hints of backstory contribute to the sense that this novel is part of a larger ongoing tale, and the Arab-influenced setting is full of vibrant description, characters, and religious expressions that will delight readers weary of pseudo-European epics. Agent: Donald Maass Literary Agency.

Starred review from January 1, 2012
Distinctive Middle Eastern fantasy from newcomer Ahmed. In Dhamsawaat, chief city of the Crescent Moon Kingdoms, Doctor Adoulla Makhslood has devoted his life to hunting and destroying ghuls, constructs brewed from bones, sand and bugs and animated by the vile blood-magic of evil sorcerers. Now fat, old and weary, Adoulla endeavors to ignore the power struggle developing between the cruel, despotic, aloof Khalif and the elusive, magic-powered Robin Hood-style thief who calls himself the Falcon Prince. But when the family of his old flame-turned-brothel keeper Miri is slaughtered by ghuls, Adoulla sets aside his teacup, summons his young assistant, Raseed, a deadly but naive warrior dervish steeped in the religion of his sect, and by the will of God steels himself for another battle. Tracking the ghuls into the desert, Adoulla and Raseed come upon a young girl, Zamia, whose entire family have also been slaughtered by the ghuls. Zamia, a shapeshifter who can take the form of a huge golden lioness with silver claws, proves more than adept at killing ghuls, but her femininity and forwardness deeply trouble the pious and traditional Raseed. Equally disturbing to Adoulla is the sheer sorcerous power necessary to create such terrible ghuls, and indications that the Falcon Prince is somehow involved. Adoulla, while no fan of the vicious Khalif, refuses to endorse a disastrous civil war. As you might expect, the Arabian Nights theme dominates, and in language, style and approach, Ahmed carries it off with only minor slips into American vernacular. Equally impressive are characters who struggle not only against their opponents but against their own misgivings and desires, and accept that victory may be achieved only at great personal cost. An arresting, sumptuous and thoroughly satisfying debut.

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Starred review from January 1, 2012

When the niece of a woman once dear to him is murdered by a demon, Doctor Adoulla Makhslood, the last of the true ghul (ghoul) hunters, leaves his precious retirement to track down the killers. Enlisting the help of old adventuring friends--the mage Dawoud and his alchemist wife Litaz, as well as his assistant, the passionately fanatic young dervish Raseed bas Raseed--Adoulla scours the great city of Dhamsawaat for clues to the identity of the infamous Orshado, the ghul of ghuls, who threatens to destroy the world. Also joining the hunt is Zamia, a young tribeswoman gifted with the ability to take the form of a lioness, who seeks revenge for the massacre of her entire tribe. VERDICT Set in a quasi-Middle Eastern city and populated with the supernatural creatures of Arab folklore, this long-awaited debut by a finalist for the Nebula and Campbell awards brings The Arabian Nights to sensuous life. The maturity and wisdom of Ahmed's older protagonists are a delightful contrast to the brave impulsiveness of their younger companions. This trilogy launch will delight fantasy lovers who enjoy flawed but honorable protagonists and a touch of the exotic.

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