Grass Roots

August 1, 1989
Three compelling plot lines are woven into a tautly drawn suspense novel by the author of Chiefs ; not a whodunit or a howdunit, but a how-does-it-all-connect. After years as chief of staff for a venerable Georgia senator, Will Lee decides to run for the seat himself when a stroke cripples his mentor. Standing in his way are an ambitious governor in the Democratic primary and, possibly, a far-right fundamentalist in the general election. In addition, Will must interrupt his campaign to serve as the defense lawyer in a controversial race-murder trial, while elsewhere, a dedicated ex-cop pursues the head of a Klan-like vigilante group that's been carrying out gangland-style killings. Woods builds these plots to reach their climaxes--an election, a verdict and a shoot-out--simultaneously, and links the stories with an ingenuity that runs out of steam only in the final few chapters. Nonetheless, his headlong storytelling style is stoked with enough sex and violence to ignite a TV miniseries. Major ad/promo; author tour.

July 1, 1989
When Georgia Senator Ben Carr has a stroke, his chief of staff, Will Lee, decides to run for Carr's seat. Concurrently Lee has been appointed public defender for a white man accused of murdering a young black woman--a case full of explosive racial tension. The election campaign is a nasty one involving a militaristic right-wing group, a TV evangelist with a mission, and a power-hungry governor. The various plot lines, though a little too contrived, move the story at a smart pace. A consummate storyteller, Woods ( Under the Lake, LJ 6/1/87) demonstrates his narrative ability by intertwining contemporary southern politics and the murder trial into a most satisfying tale.-- Jo Ann Vicarel, Cleveland Heights-University Heights P.L., Ohio

Copyright 1989 Library Journal, LLC Used with permission.

May 1, 1990
A senate election, a controversial murder trial and a string of vigilante killings are compelling plot elements woven into this ``tautly drawn suspense novel.'' PW noted that although the ingenuity runs out in the final chapters, ``Woods's headlong storytelling style is stoked with enough sex and violence to ignite a TV miniseries.''