Revival

February 2, 2015
King’s new thriller begins in Maine the summer of 1962, when its narrator, Jamie Morton, at age six, meets a charismatic young minister named Charles Jacobs, who soon becomes something of a mentor. Years later, as Jamie pursues a career as an itinerant rock musician, he crosses paths with Jacobs, who is now working his way from carnival huckster to wealthy faith healer and has developed an obsession with the curative powers of electricity. Jacobs, aged, ill, and more than a little crazed, convinces a skeptical but curious Jaime to assist him in his ultimate experiment with a “secret” form of electricity that he believes will allow him to “tap into the secrets of the universe.” Screen actor Morse (The Green Mile) has a natural, down-to-earth delivery. His middle-aged Jamie narrates with a soft, knowing yet wistful voice as he recalls the happier days of smalltown life, his first paid job as a musician, his first romance. We hear his hope that Jacobs’s “secret electricity” will heal his addiction to heroin, and the fear and uncertainty prompted by the experiment’s nightmarish effects. Morse’s Jacobs, who initially sounds bright and witty and filled with charm, becomes a man distracted and unemotional. By the novel’s end, age and infirmity have slurred his speech. A Scribner hardcover.

Starred review from September 15, 2014
This spellbinding supernatural thriller from MWA Grand Master King chronicles one man’s efforts to, as narrator Jamie Morton phrases it, “tap into the secrets of the universe.” Charles Jacobs, a Methodist minister in rural Harlow, Maine, loses his faith when his wife and child die in a hideous car accident, but not his obsessive interest in electricity. Over the next 50 years, Jamie—a devoted congregant of Jacobs’s when young, but a wary skeptic as he matures—crosses paths with his friend as the constantly experimenting Jacobs graduates from carnival huckster, to faith healer, and finally to mad scientist convinced that he can harness a “secret electricity” to get a glimpse of “some unknown existence beyond our lives.” King (Mr. Mercedes) is a master at invoking the supernatural through the powerful emotions of his characters, and his depiction of Jacobs as a man unhinged by grief but driven by insatiable scientific curiosity is as believable as it is frightening. The novel’s ending—one of King’s best—stuns like lightning. Agent: Chuck Verrill, Darhansoff & Verrill Literary Agents.