The Round House

Starred review from July 16, 2012
Erdrich, a Pulitzer Prize finalist, sets her newest (after Shadow Tag) in 1988 in an Ojibwe community in North Dakota; the story pulses with urgency as she probes the moral and legal ramifications of a terrible act of violence. When tribal enrollment expert Geraldine Coutts is viciously attacked, her ordeal is made even more devastating by the legal ambiguities surrounding the location and perpetrator of the assault—did the attack occur on tribal, federal, or state land? Is the aggressor white or Indian? As Geraldine becomes enveloped by depression, her husband, Bazil (the tribal judge), and their 13-year-old son, Joe, try desperately to identify her assailant and bring him to justice. The teen quickly grows frustrated with the slow pace of the law, so Joe and three friends take matters into their own hands. But revenge exacts a tragic price, and Joe is jarringly ushered into an adult realm of anguished guilt and ineffable sadness. Through Joe’s narration, which is by turns raunchy and emotionally immediate, Erdrich perceptively chronicles the attack’s disastrous effect on the family’s domestic life, their community, and Joe’s own premature introduction to a violent world. Agent: Andrew Wiley.

March 25, 2013
When Geraldine Coutts, a Native American woman living on a North Dakota reservation, is assaulted and raped, she retreats into solitude. Her husband, Antone, a tribal judge, tries in vain to find the culprit while her 13-year-old son Joe begins his own investigation. Actor Gary Farmer turns in a workmanlike performance of Erdrich’s literary mystery. He reads in crisp, clear tones—though occasionally he enunciates so carefully the narration sounds stilted and slows the pace of the story. Farmer struggles to lend unique voices to the book’s characters—and this is particularly unfortunate given the rich, varied cast. Farmer provides the bulk of the characters with vocal pacing and verbal idiosyncrasies that don’t differ from his narration. And this makes it extremely difficult for listeners to keep track of who is talking to whom and under what circumstances. A Harper hardcover.

May 15, 2012

Erdrich continues the trilogy begun with The Plague of Doves with the story of an Ojibwe woman named Geraldine Coutts who is ruthlessly attacked one summer morning in 1988. Because she refuses to speak about the event, her husband, Bazil, and their 13-year-old son, Joe, try to answer the most basic questions, e.g., was the attacker Indian or white? Frustrated, Joe rounds up three friends and hunts for the truth himself. Erdrich is such a natural that one almost forgets how good she is; with a 100,000-copy first printing and a seven-city tour.

Copyright 2012 Library Journal, LLC Used with permission.

Starred review from August 1, 2012

Set on an Ojibwe reservation in North Dakota in 1988, Erdrich's 14th novel focuses on 13-year-old Joseph. After his mother is brutally raped yet refuses to speak about the experience, Joe must not only cope with her slow physical and mental recovery but also confront his own feelings of anger and helplessness. Questions of jurisdiction and treaty law complicate matters. Doubting that justice will be served, Joe enlists his friends to help investigate the crime. VERDICT Erdrich skillfully makes Joe's coming-of-age both universal and specific. Like many a teenage boy, he sneaks beer with his buddies, watches Star Trek: The Next Generation, and obsesses about sex. But the story is also ripe with detail about reservation life, and with her rich cast of characters, from Joe's alcoholic and sometimes violent uncle Whitey and his former-stripper girlfriend Sonja, to the ex-marine priest Father Travis and the gleefully lewd Grandma Thunder, Erdrich provides flavor, humor, and depth. Joe's relationship with his father, Bazil, a judge, has echoes of To Kill a Mockingbird, as Bazil explains to his son why he continues to seek justice despite roadblocks to prosecuting non-Indians. Recommended. [See Prepub Alert, 4/23/12.]--Christine DeZelar-Tiedman, Univ. of Minnesota Libs., Minneapolis

Copyright 2012 Library Journal, LLC Used with permission.

September 1, 2012
Erdrich returns to the North Dakota Ojibwe community she introduced in The Plague of Doves (2008)--akin but at a remove from the community she created in the continuum of books from Love Medicine to The Red Convertible--in this story about the aftermath of a rape. Over a decade has passed. Geraldine and Judge Bazil Coutts, who figured prominently in the earlier book, are spending a peaceful Sunday afternoon at home. While Bazil naps, Geraldine, who manages tribal enrollment, gets a phone call. A little later she tells her 13-year-old son, Joe, she needs to pick up a file in her office and drives away. When she returns hours later, the family's idyllic life and Joe's childhood innocence are shattered. She has been attacked and raped before escaping from a man who clearly intended to kill her. She is deeply traumatized and unwilling to identify the assailant, but Bazil and Joe go through Bazil's case files, looking for suspects, men with a grudge against Bazil, who adjudicates cases under Native American jurisdiction, most of them trivial. Joe watches his parents in crisis and resolves to avenge the crime against his mother. But it is summer, so he also hangs out with his friends, especially charismatic, emotionally precocious Cappy. The novel, told through the eyes of a grown Joe looking back at himself as a boy, combines a coming-of-age story (think Stand By Me) with a crime and vengeance story while exploring Erdrich's trademark themes: the struggle of Native Americans to maintain their identity; the legacy of the troubled, unequal relationship between Native Americans and European Americans, a relationship full of hatred but also mutual dependence; the role of the Catholic Church within a Native American community that has not entirely given up its own beliefs or spirituality. Favorite Erdrich characters like Nanapush and Father Damien make cameo appearances. This second novel in a planned trilogy lacks the breadth and richness of Erdrich at her best, but middling Erdrich is still pretty great.

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Starred review from August 1, 2012
In her intensely involving fourteenth novel, Erdrich writes with brio in the voice of a man reliving the fateful summer of his thirteenth year. The son of a tribal judge, Bazil, and a tribal enrollment specialist, Geraldine, Joe Coutts is an attentively loved and lucky boyuntil his mother is brutally beaten and raped. Erdrich's profound intimacy with her characters electrifies this stunning and devastating tale of hate crimes and vengeance, her latest immersion in the Ojibwe and white community she has been writing about for more than two decades. As Joe and his father try to help Geraldine heal and figure out who attacked her and why, Erdrich dissects the harsh realities of an imperiled yet vital culture and unjust laws reaching back to a tragedy in her earlier novel The Plague of Doves (2008). But it is Joe's awakening to the complexities and traumas of adult life that makes this such a beautifully warm and wise novel.Through Joe's hilarious and unnerving encounters with his ex-stripper aunt, bawdy grandmothers, and a marine turned Catholic priest; Joe's dangerous escapades with his loyal friends; and the spellbinding stories told by his grandfather, Mooshum, a favorite recurring character, Erdrich covers a vast spectrum of history, cruel loss, and bracing realizations. A preeminent tale in an essential American saga. HIGH-DEMAND BACKSTORY: Best-selling Erdrich's exceptional new novel will be actively promoted with a national tour and a coordinated blog tour as well as extensive print, radio, and social-media appearances.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)