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Saucer

The Conquest

#2 in series

ebook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks
The sequel to Saucer by the New York Times–bestselling author—a "humorous UFO thriller . . . a gripping aerial duel of saucers up and down the East Coast" (Publishers Weekly).
Rip Cantrell is brought back to give the saucer one last flight. Charlotte "Charley" Pine has started flying for a rich French tycoon, and there is believed to be another downed saucer somewhere in the area. Rip can't quite get over the fact that Charley has dumped him. But when push comes to shove Rip and the United States Government are going to go head to head with this crazy Frenchman in trying to be the first to the saucer.
As Stephen Coonts proved in his last outing, there is a great deal of high-flying adventure to be found in the Saucer series. And this one not only promises all the excitement of the last one, but it delivers with much, much more.
Praise for Saucer
"A comic, feel-good SF adventure." —Kirkus Reviews
"A flight of fancy . . . tough to put down." —Publishers Weekly
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    • Publisher's Weekly

      August 9, 2004
      In this humorous UFO thriller, the sequel to bestseller Coonts's Saucer
      (2003), pilot Charlotte "Charley" Pine is hired to fly a French spaceplane to the moon, where millionaire Pierre Artois is building a base. Once there, she discovers that Artois has equipped the base with an antigravity beam projector and plans to make himself and his malevolent wife, Julie, rulers of the world. Charley promptly returns to Earth to warn everybody. Meanwhile, Newton Chadwick, a mad scientist in the pay of the French, kidnaps saucer-expert Egg Cantrell and forces him to fly to the moon in the original Roswell saucer that landed in 1947. Egg's nephew Rip Cantrell and Charley steal another flying saucer from the Smithsonian, and soon saucers and other borrowed alien high-tech are in pitched battle over the moon. Later, French pilot Jean-Paul Lalouette (perhaps the book's most engaging character) is determined to go down fighting and nearly turns the tables in a gripping aerial duel of saucers up and down the East Coast. Cartoonish characters with names like Senator Blohardt and Joe Bob Hooker add to the fun. Agent, Robert Gottlieb.

    • Booklist

      August 1, 2004
      This felicitous, lightweight combination of thriller and sf is the second adventure of Rip Cantrell and Charley Pine involving flying table settings (the first: " Saucer," 2002). To begin things, Coonts introduces the original 1947 Roswell, New Mexico, saucer (the saucer of " Saucer" was a Saharan denizen) and a scientist who, if not mad at first, is driven mad by the need to keep its discovery secret. Jumping to the present, Coonts gives us Rip at loose ends while Charley flies a French space plane to the Moon. (How the French developed that particular piece of hardware remains unexplained, as does quite a lot else in the book.) Charley soon encounters a mad French brewer and his definitely evil wife, who plan to use stolen saucer technology to conquer the world. Charley makes an excellent whistle-blower, however, and although the rest of the yarn is fast-paced (featuring superb flying sequences, among other exciting things), its issue is never really in doubt. Coonts' tongue is in cheek for much of the story, as it has been in some of his later Jake Grafton books, but this is not likely to raise the hackles of anyone except the humor-impaired. Readers: enjoy. Libraries: provide.(Reprinted with permission of Booklist, copyright 2004, American Library Association.)

    • Publisher's Weekly

      February 24, 2014
      Coonts belatedly concludes his lackluster Saucer trilogy (following 2003’s Saucer and 2006’s Saucer: The Conquest) with a burst of unlikely fireworks and a thud. Doughty engineering student Rip Cantrell discovered a flying saucer in the Sahara desert, aided by lovely former Air Force test pilot Charlotte Pine and Rip’s brilliant inventor uncle, Arthur “Egg” Cantrell. A year later, the team is called in to study another saucer embedded in the Great Barrier Reef. Meanwhile, pharma mogul Harrison Douglas has retrieved the Roswell spaceship, which was stolen from Area 51. When Douglas’s saucer expert, Adam Solo, steals the spaceship, Douglas vows revenge. Solo allies with Rip and his friends, revealing he is an alien marooned on Earth for over a thousand years, and he uses Rip’s Sahara spaceship, to call for help, but they’ll all need to hide from U.S. government agents and Harrison until rescue arrives in one week’s time. Tissue-thin characters and heavy-handed plotting make this forgettable story one of Coonts’s less successful outings.

    • Publisher's Weekly

      January 28, 2002
      A flight of fancy and a departure from Coonts's bestselling techno-thrillers (Flight of the Intruder, etc.) pits an eager young grad student against seasoned military, government and corporate raider types for control of an ancient flying saucer dug out of a sandstone outcrop in the Sahara. Rip Cantrell is acting as gofer for a seismic survey when a glint of metal in the sand catches his eye. Aided by archeologists from a nearby dig, he unearths the ship, but the U.S. Air Force UFO team shows up followed shortly by armed thugs sent by Australian mogul Roger Hedrick. When the Libyan army appears on the scene as well, Rip and test pilot Capt. Charlotte (Charley) Pine manage to hijack the controls of the saucer, evading all their pursuers and flying to the Missouri farm of Rip's Uncle Egg, "inventor, wizard, mechanic extraordinaire." Egg cues Charley and Rip to the saucer's advanced flight capabilities, and they make decoy runs to mask their real location. But Hedrick tracks them down, and Charley is forced by a Hedrick operative to fly the saucer to the mogul's Australian ranch. Rip heads Down Under with rescue in mind when the UFO team (previously in Libyan captivity) are set free and tell all on TV, forcing Hedrick to change plans. He puts the saucer up for sale to one lucky nation, but has a sinister plan that Charley vows to disrupt. The moves get more deadly as the bidding begins, and Rip comes on the scene for a predictably spectacular ending. More Cussler than Clancy, this cartoonish slice of escapism is also more hokey than suspenseful ("But saucers do
      exist. There one is!"); still, it's tough to put down. Major ad/promo.

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