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Montaigne in Barn Boots

An Amateur Ambles Through Philosophy

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1 of 1 copy available
1 of 1 copy available

The beloved memoirist and bestselling author of Population: 485 reflects on the lessons he's learned from his unlikely alter ego, French Renaissance philosopher Michel de Montaigne.

"The journey began on a gurney," writes Michael Perry, describing the debilitating kidney stone that led him to discover the essays of Michel de Montaigne. Reading the philosopher in a manner he equates to chickens pecking at scraps—including those eye-blinking moments when the bird gobbles something too big to swallow—Perry attempts to learn what he can (good and bad) about himself as compared to a long-dead French nobleman who began speaking Latin at the age of two, went to college instead of kindergarten, worked for kings, and once had an audience with the Pope. Perry "matriculated as a barn-booted bumpkin who still marks a second-place finish in the sixth-grade spelling bee as an intellectual pinnacle . . . and once said hello to Merle Haggard on a golf cart."

Written in a spirit of exploration rather than declaration, Montaigne in Barn Boots is a down-to-earth (how do you pronounce that last name?) look into the ideas of a philosopher "ensconced in a castle tower overlooking his vineyard," channeled by a midwestern American writing "in a room above the garage overlooking a disused pig pen." Whether grabbing an electrified fence, fighting fires, failing to fix a truck, or feeding chickens, Perry draws on each experience to explore subjects as diverse as faith, race, sex, aromatherapy, and Prince. But he also champions academics and aesthetics, in a book that ultimately emerges as a sincere, unflinching look at the vital need to be a better person and citizen.

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    • Kirkus

      September 1, 2017
      The essays of Montaigne spark midlife reflection by the rural Wisconsin-based author.With a kidney stone as a shared affliction, Perry (The Jesus Cow, 2015, etc.) discovered an unlikely affinity with the French aristocrat, a shared humanity and spirit of discovery that bridge centuries, continents, and cultural differences. "You read Montaigne, you feel like you have a friend," writes the author, and so readers are likely to feel about Perry, who has often drawn from his small-town life with self-deprecating humor and Midwestern common sense. That same spirit permeates his scattershot reading of Montaigne, a body of work he approaches without anything resembling academic rigor; he mainly allows one thing to lead to another, from Montaigne to commentaries on Montaigne to meditations on the author's own life. "The desire to write about Montaigne puts me in heavy traffic on a tricycle," writes Perry. It's an image he likes so much that he later uses it to suggest his own limitations as a writer: "When I crack and read two pages of Dylan Thomas or Zora Neale Hurston, I understand that I am in the Tour de France on a tricycle." Yet Perry's refreshing candor, the essence of the personal essay, serves him well, as he opens his soul about his depression and anxiety, his marriage, his health (and hypochondria), and his recognition of the gulf between the persona he presents as a writer and performer and the person he knows (or suspects) himself to be. Though he supports himself by writing for money, and need make no apology for that, his aim here seems more like a soul-cleansing confession, like a writer talking to himself about the issues that concern him most. As he explains of his reading of Montaigne, "we only come to understand ourselves over time and then never fully. He was less interested in drawing conclusions about himself than having a conversation with himself. The dialogue would end only in death." Readers will learn plenty about Montaigne and more about Perry.

      COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      October 1, 2017
      While recovering from the agony of kidney stones, memoirist and novelist Perry (Danger, Man Working, 2017; The Jesus Cow, 2015; Visiting Tom, 2012) discovered the philosopher Michel de Montaigne, who happened to suffer the same affliction five hundred years prior. More parallels followed this painful coincidence, and Perry's interest grew. Montaigne composed essays while ensconced in a castle tower overlooking his vineyards. I typed that sentence while ensconced in a room above the garage overlooking a defunct pig pen. Joking aside, the two share thoughts on aging, anxiety, sex, and marriage. Perry, a down-to-earth midwesterner, and Montaigne, a French nobleman, both confront guilt, shame, faith, and death. The two writers are clearly long-lost comrades, separated by centuries. Perry reflects, The guy would write about anything which will remind readers of Perry himself, tackling issues with sincerity and humor, analyzing life, and evolving from self-exploration to self-improvement. You read Montaigne, you feel like you have a friend. Perry's readers will say the same of him.(Reprinted with permission of Booklist, copyright 2017, American Library Association.)

    • Library Journal

      Starred review from October 15, 2017

      This warm and humorous memoir by New York Times writer Perry gives us a crash course in the life and ideas of Renaissance philosopher Michel de Montaigne (1533-92). Montaigne's thinking was famously flexible, and he seemingly wrote about everything. Here, Perry takes us through Montaigne's, and his own, thoughts on sex, marriage, forgetfulness, kidney stones, religion, and a number of other matters. The author shares with his subject a congenital humility, combined with an openness to new ideas and ways of thinking. Readers will laugh out loud frequently while taking in this very funny memoir, as this reviewer did, yet it's a profound laughter, the kind that gets you thinking. VERDICT One couldn't hope for a better introduction to the work of Perry or Montaigne. [See "Families & Addiction, Philosophers, Two Debuts, & Joyce Maynard"; ow.ly/X70F30fkmkA.]--DS

      Copyright 2017 Library Journal, LLC Used with permission.

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